In this radio programme you are going to listen to the following words.
Read and listen
to them. Make sure you know what they mean.
homage: homenatge
moving: commovedor
ethnic: ètnic
root: arrel
genre: gènere literari o musical
Now read the questions on the next page. Read them carefully before listening
to the radio programme
CATALAN COMPOSERS OF THE 20TH CENTURY
An interview with Jim Preston and Mary Kovacs
PRESENTER(JULIA): You are listening to Radio 6 International in Barcelona.
And this is Music
Today, a programme that not only listens to but also talks about music.
Well. In Spain
we tend to associate contemporary symphonic music with foreign names.
When talking
about contemporary composers, we think of Penderecki, Copland, Cage, Shostakovitch,
or Glass, to name just a few of them. All of them great names, but ...
foreign. Except for
Rodrigo, Halffter, and maybe Mompou, many of us would have problems remembering
any contemporary Spanish composers at all. And recognising their music
would be even a harder task. So, its a pleasant surprise to discover
that students from other countries come here tostudy Catalan contemporary
music. They mention with admiration names like Homs, Quadrenys, Brotons,
which for many Catalans are still a mystery. Today we welcome two of these
students, Jim Preston from the USA and Mary Kovacs, from Hungary. Mary
speaks excellent English. Jim, Mary, welcome to our program.
PRESENTER: Do many students come to Catalonia to study music?
JIM: Yes.
MARY: No.
PRESENTER: Is it yes or no?
(...)
ANSWER THESE QUESTIONS
1. Who was Robert Gerhardt?
q A.- a Catalan composer
who taught in England.
q B.- a Danish musician who
wrote symphonic music.
q C.- a Catalan composer who
lives in the USA.
2. Jim and Mary are in Barcelona because they
q A.- want to be interpreters
of Spanish music.
q B.- are interested in Catalan
composers.
q C.- are preparing a new opera.
3. Balada says that he has been influenced by
q A.- South American ethnic
music.
q B.- other contemporary composers.
q C.- artists from other fields,
like painting.
4. Why did some of these composers go to other countries?
q A.- Those from the older
generation emigrated for political reasons.
q B.- All of them wanted to
improve their musical education.
q C.- To study symphonic music.
5. Baladas music is a _________ sounds, rhythm and drama.
q A.- childs conclusion
of mixed
q B.- mild expression of fixed
q C.- wild explosion of rich
sounds
6. The operas Dalí and Gaudí
q A.- are well known to Julia.
q B.- will be first performed
in the same year.
q C.- are written in a popular
style.
7. Salom is the author of many
q A.- drama plays.
q B.- world-famous songs.
q C.- well-known operas.
8. The generation born in the 30s was
q A.- practically playful.
q B.- particularly fruitful.
q C.- perfectly helpful.
9. For Mary, it is shocking to discover that these composers are _________
in their own country.
q A.- so little known
q B.- so well known
q C.- totally unkown
10. Most of these composers write for
q A.- many different genres.
q B.- essentially the same
genre.
q C.- the kind of genre that,
like operas, is not always popular.
transcript
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