1. Discuss with a partner or write in the spaces below about all of the following ideas:

The British were and still are more prepared to protect the marbles than the greek.
If they did return them and that set a precedent, how many of the world's museum collections would then have to be also returned? Should all of them be returned, just some of them or none?
Should an important work of art be the property of humanity all or the property of an individual group?

Why do this? To produce discussion or to help you improve argumentative writings.

Note: Consider the following points when deciding on whether the marbles have been taken care of or NOT.

The British were and still are more prepared to protect the marbles than the greek.

If they did return them and that set a precedent, how many of the world's museum collections would then have to be also returned? Should all of them be returned, just some of them or none?

Should an important work of art be the property of humanity all or the property of an individual group?


 

 

1. the Parthenon Marbles were certainly dark brown when removed by Elgin. In 1928 Sir Joseph Duveen offered to build a new gallery for the British Museum to house the Elgin Marbles on condition that they were made more attractive to the public (and reflected more glory on himself). On his orders, paid masons attacked the marbles with metal tools and Carborundum, leaving them whiter than white but -- according to the modern Greeks -- irreparably harmed. So damaged were the Elgin Marbles that they were placed behind barriers -- still there today -- so that the public could not get close enough to see the ravages.

2. The Victorians did not like their sculptures incomplete: If noses, arms and genitalia had been chipped off due to mishandling, new modern ones were often stuck on.

3. Serious scholars have always resented the way Duveen arranged them around the sides of his gallery, when they were meant to be seen as a continuous narrative as they were approached and circled.

4. Oddly, for a non-commercial institution, the British Museum allows champagne and gourmet food parties in the gallery in return for high rental fees. The marbles have become a prized setting for hospitality parties. These parties have got the Museum into more hot water, as guests are even permitted to be photographed in Ancient Greek fancy dress with the Elgin Marbles as a decorative background. Sir Kenneth Alexander, a former trustee of the National Museum of Scotland, describes this as a "crass misuse of one of the world's greatest antiquities." Andrew Dismore, a Greek-speaking member of Parliament, says: "I am frankly dismayed at the attitude of the museum. What are we going to have next? Orgies in the Roman galleries?"

5. Ah, but if you let us have them back, we would conserve all the marbles in a new 30-billion drachma ($109 million) Acropolis Museum, retorts the Greek government. And it would be very nice if they -- along with the other bits in Paris, Copenhagen, Palermo, the Vatican, Heidelberg, Munich, Würzburg, Strasbourg and Vienna -- were returned by 2004, when Athens hosts the Olympic Games. President Clinton wants Britain to hand them back, according to Elisabet Papazoe, the Greek government minister. Clinton promised to bring up the issue with Prime Minister Tony Blair. But Blair is known to be antagonistic to the demand.

 

Note: For further information on The Elgin Marbles click either here or here

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